Nicholas Daniel Oboe
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Nicholas Daniel
has been acknowledged as one of the world’s great oboe players,
and is one of
Britain
’s best known musicians. In a distinguished career that began
more than four decades ago he has become an important
ambassador in many different musical fields, and has significantly
enlarged the repertoire for his instrument with the commissioning of
hundreds of new works.
Nicholas
dedicates his life to music in many varied ways. He records and
broadcasts widely, including regular recordings on the Harmonia
Mundi Label, and he boasts a huge following internationally on
social media. He is proud to support and patronise many important
initiatives, charities and trusts, and has directed several music
festivals and concert series, most notably in
Germany
and Dartington, and has been Music Director of the Leicester
International Music Festival and lunchtime series for many years. He
is highly sought after as a teacher, being Professor at the
Trossingen music school in
Germany
.
Following his
BBC Proms conducting debut in 2004, he works with many fine
ensembles in wide-ranging repertoire ranging from Baroque to
contemporary, and from small groups to opera. He is Music Director
of Triorca, an orchestral project which brings together talented
young musicians from
Serbia
,
Germany
and the
UK
. In recognition of his achievements he was honoured in 2012 by Her
Majesty Queen Elizabeth II with the prestigious Queen’s Medal for
Music, and cited as having made “an outstanding contribution to
the musical life of the nation”. In October 2020 he was awarded an
OBE.
Over
the last 18 months I have looked at what we do, and realised it’s
more and more miraculous in a way.
He says
that when he listens to a musical performance, his first question
is, “Is the person communicating. And are they communicating
through themselves the feeling of the composer? People have
different ways of approaching being a musician.” When he is the
performer, “I try to use all of my experience in the various
styles of music so that my playing will transmit what the composer
is saying to me. To me, that means that I have to subjugate myself
to an extent, but at the same time I have to allow, as it were, the
harp strings of my self to resonate with the composer’s
intentions, and then communicate that through my playing.”
Like most
of us, the life imposed by the pandemic has changed him. “Over the
last 18 months I have looked at what we do, and realised it’s more
and more miraculous in a way. It’s perhaps the most miraculous
thing that human beings do – they make instruments, and then they
communicate emotions to each other through them.”
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